FEATURE | TENOU'A | BLACK BOOK DE GIDEON RUBIN
FEATURE | PUBLIC ART | KOREA
FRAGMENTS | GALLERY EM SEOUL | 1 SEPTEMBER - 20 OCTOBER 2018
ON THE FAR SIDE OF THE MIRROR | GALERIE KARSTEN GREVE ST. MORIZ | 3 AUGUST - 15 SEPTEMBER 2018
FEATURE | TANK MAGAZINE | COVER - UP
COMRADE | Anat Ebgi Gallery | May 12 - June 23 2018 | Opening Reception May 12 6-8pm
Anat Ebgi is pleased to announce Comrade, an exhibition by London-based, Israeli artist Gideon Rubin. Continuing his fascination with memory and history, Rubin uses found images as the armature for abstract portraits of the past. The exhibition is the culmination of a month-long residency at The La Brea Residency.
Often directly painting over source materials if not explicitly referencing them, cultural memory is revised and questioned through the historicized image. His broad, wet brush-strokes challenge the younger medium, photography, as much as it makes use of its conventions - specifically the idea that a picture tells a thousand words, or that either can purport to be “truthful.”
A degree of anonymity shrouds much of Rubin’s human figures - faceless, they become surfaces for projection, no one and everyone, all at once. This obfuscation through overpainting and blending - in particular a composition of suited men who upon closer examination are the Hollywood Ten - allow the viewer to consider different versions to the familiar tales of history and popular culture. Whether painted on canvas, wood, cardboard or even the original photograph itself, Rubin’s varied sources directly inform the visage of the work, playing with the connotations of a glamour which has become disposable. A tousled lock of hair, clenched fists or the way a garment wrinkles falls on the body, these are the human impressions Rubin imprints upon the viewer. Without falling into the trappings of nostalgia, Rubin tackles this collection of headshots, print ads and family photos in such a way that blends time and spectatorship into ambiguous flux. Suddenly, everything is less specific, intangible, a barely-decipherable glimmer.
Image: Gideon Rubin, Untitled (LR), 2018. Oil on linen, 34 x 24 inches
FEATURE | SF Weekly | Pop Kulturkampf, at Hosfelt Gallery
FEATURE | The London Magazine | Black Book by Gideon Rubin at The Freud Museum
FEATURE | Elephant | Gideon Rubin on Painting Over the Past
FEATURE | artnet news | Artist Gideon Rubin Redacted Nazi Texts, Then Installed Them in Sigmund Freud’s Home
The Kaiser's Daughter | Hosfelt Gallery | March 17th - April 28th 2018 | Opening reception March 17th 4-6pm
Most of the paintings in Gideon Rubin’s sixth solo exhibition with Hosfelt Gallery were selected from work made for an exhibition at the Freud Museum in London. As source material, Rubin — an Israeli living in London whose work always refers to found images — mined photographs illustrating a serialized English-language edition of Mein Kampf that was published in 1939, the same year that Rubin’s grandparents, like Sigmund Freud, fled Europe to escape Nazi persecution.
Rubin’s characteristic manner of painting – with his subjects reduced to a few adept brushstrokes in a minimal color palette — renders his imagery simultaneously straightforward and ambiguous. They read like a flash of memory at the point of fading completely, a dream, or a history known only through re-telling.
Other paintings in this exhibition refer to Andrei Tarkovsky’s 1975 experimental film, The Mirror, a non-linear, autobiographical masterpiece known for the poetry of its cinematography. Central to the work of the three — Freud, Tarkovsky and Rubin — is the slipperiness of human memory and the importance of seeking clues in the past to decipher and resolve the issues of the present.
Gideon Rubin was born in Tel Aviv, Israel, and lives in London. He received his MFA from Slade School of Fine Art, University College, London. His work has been exhibited extensively internationally.
Group show | All In the Family | Senate Gallery | Ben-Gurion University | March 21st - June 3rd 2018
Gideon Rubin | Billboard Commission | Kingsgate workshops / Kingsgate Project Space | Feb 7th - April 14th 2018
FEATURE | Trebuchet Magazine | 'Black Book' Gideon Rubin at Freud Museum
FEATURE | TimeOut London | Gideon Rubin: Black Book
BLACK BOOK | Sacha Craddock in Conversation with Artist Gideon Rubin | Freud Museum London | 20.02.2018 | 7pm
Art critic and writer Sacha Craddock will be in conversation with artist Gideon Rubin about his Freud Museum project BLACK BOOK and discussing the way propaganda is used to generate racial conflict, which in turn affects the plight of asylum seekers and refugees.
The conversation will be moderated by curator James Putnam.
The artist’s specially created project for Freud’s final home relates to the era of the late 1930s, when Freud left Vienna for London. A series of paintings on canvas, linen and paper take inspiration drawn from original pre-WW2 German magazines that Rubin has collected. The idealised images of heath and efficiency in the magazines were designed to promote the myth of Aryan supremacy in Nazi propaganda. Rubin has subverted these images in his characteristic style by masking out the faces, Nazi references and swastika motifs. The process relates to our human tendency to block out unpleasant memories from our psyche.
BLACK BOOK is the latest exhibition in a critically acclaimed series curated by James Putnam on display at the Museum from 7 February - 15 April 2018.
Full Price £10
Friends of the Museum £7
Students / concessions £7
Advanced booking highly recommended.
BLACK BOOK | Freud Museum London | 07.02.2018 - 15.04.2018
The Freud Museum is pleased to present BLACK BOOK, an exhibition of new work by Gideon Rubin and the latest in a critically acclaimed series curated by James Putnam. Rubin’s specially created project for Freud’s final residence relates to the era of the late 1930s, when Freud left Vienna for London. It comprises a series of paintings on canvas, linen and paper with subject matter drawn from original pre-WW2 German magazines that Rubin has collected specifically for the project. These magazines contain idealised images of heath and efficiency to promote the myth of Aryan supremacy as Nazi propaganda. Rubin has subverted these images in his characteristic style by masking out the faces, Nazi references and swastika motifs. This process relates to our human tendency to block out unpleasant memories from our psyche.
Working on them has been his way to engage with the past on a personal level. He identifies Freud's narrow escape from Vienna in 1938 with his own maternal grandparents’ escape from Nazi persecution, fleeing Romania at the last moment in 1939. Rubin situates this imagery within the context of Freud’s home. But these seemingly ‘innocent’ images belie their sinister undertones that allude to the Nazis subsequent mission to exterminate the Jews with Hitler’s ‘Final Solution’.
Mein Kampf was translated into English and published in London in 1939. Rubin has also acquired an original edition of Hitler’s infamous autobiography and has systematically blacked out every page to create a series of abstract monochrome compositions. His systematic blacking out of Mein Kampf and the Nazi propaganda images represents a symbolic neutralising and negating of their sinister associations reflected in the exhibition’s title: BLACK BOOK.
Whilst BLACK BOOK strikingly conveys the racial hatred and diaspora of the past, the themes explored are just as relevant to today – from the manipulation and subversion of the media, to racial conflict and war. We are living through a period of intolerance and conflict greater than any period since WW2 with an unprecedented 66.5 million people forcibly displaced worldwide.
The exhibition marks the beginning of the year in which the Freud Museum will commemorate the 80th anniversary of the Freud family arriving in London. Sigmund Freud’s escape from Vienna was an international news story in June 1938, and in 2018 the museum will use its archives and collections to explore Freud’s status as a refugee in England, while so many others are being made refugees 80 years later.
If This Not Be I | Alon Segev Gallery | 16.12.2017 - 26.01.2018
Gideon Rubin, 'Untitled (In the Field)', Oil on Canvas, 2017
Water, Heart, Face | Jerusalem Biennale | 01.10 - 16.11.2017
Gideon Rubin, 'Untitled', Gouache on paper, 2014
Group Show | Summer Show | Galerie Karsten Greve St. Moritz | 30.06 - 19.08.2017
Gideon Rubin, 'Untitled', Gouache on cardboard, 2017
Group Exhibition | Kunstlerraume II | Galerie Karsten Greve | 30.06 - 02.09.2017
Feature | Anahita's eye
Group Exhibition | Mirror Mirror | Hosfelt Gallery 08.07 - 12.08.2017
Gideon Rubin, 'Girl in the Water', Oil on canvas, 122x102cm, 2011
Exhibition | Once Removed | Pharos Art Foundation 17.05 - 05.07.2017
Group Exhibition | THE READING ROOM | Rokeby 22.02 - 20.04.2017
Gideon Rubin, 'Untitled', Gouache on paper, 38x27.5cm, 2016
Featuring work by Sam Dargan, Lara Davies, Ej Major, Abigail Reynolds, Gideon Rubin
Group Exhibition | Alon Segev 28.12.2016 - 27.01.2017
Gideon Rubin, 'Green', Oil on Canvas, 35x30cm, 2015
Featuring work by Gideon Rubin, Tal Mazliach, Noa Yekutieli and Maya Zack.
Show| ACCROCHAGE | Karsten Greve St Moritz 04.10.2016 -23.12.2016
ACCROCHAGE featuring works by Josef Albers, Louise Bourgeois, Lawrence Carroll, Lucio Fontana, Gotthard Graubner, Mimmo Jodice, Catherine Lee, Claire Morgan, Gideon Rubin, Joel Shapiro, David Smith, Pierre Soulages and Cy Twombly
Exhibition | Memory goes as far as this morning: A dialogue between Gideon Rubin and Shu Qun | Chengdu MoCA
Exhibition | Summer Show Galerie Karsten Greve St. Moritz
Gideon Rubin, 'Untitled', Oil on Canvas, 2015
The exhibition is on view July through August 31, 2016.
Book Cover | Gideon Rubin on Alessandro Baricco's La Jeune Épouse
Exhibition | Summer Show Galerie Karsten Greve Cologne
Top left to bottom right: Gideon Rubin, Red Bathing Suit, 2011 / Pierrette Bloch, Untitled, 1980 /
Georgia Russell, Open Window, 2016 / Catherine Lee, Glacier Cubic, 2005
The exhibition is on view June 28 through August 27, 2016.
Feature | Art.Zip
Read more: Memory Goes As Far As This Morning
Feature | Matters Du Monde
Feature | metroactive
Feature | Figaro Scope
Talk | 23.02.2016| San Jose State University
Image: Gideon Rubin, Braids, 2015, oil on linen, 66 x 71cm
Gideon Rubin Talk
Tuesday, February 23, 2016
Location: San Jose State University, Art Department, Room 133
Free and open to the public
Talk | 10.02.2016| ArtReview Live
Exhibition | Memory Goes As Far As This Morning
Feature | TENOU'A Magazine
Exhibition | Questions of Forgiveness
Image: White Glove, 2015, oil on linen, 56 x 51cm, Gideon Rubin
Galerie Karsten Greve Paris January 9- March 5, 2016
Opening: Saturday, January 9, 2016, 6-8pm
In the presence of the artist
Book signing at 5pm
For more information: email@example.com
Galerie Karsten Greve Paris, 5, Rue Debelleyme, 75003, Paris
Opening hours: Tuesday-Saturday 10am-7pm
Cover Story | Questions of Forgiveness
Exhibition | L'Autre Visage
10 septembre au 19 décembre 2015
Commissariat Itzhak Goldberg
Vernissage jeudi 10 septembre
à partir de 18h
Exhibition | Words Without Letters
WORDS WITHOUT LETTERS
Group show at Alon Segev Gallery, Tel Aviv
Curated by Guy Yanai
September 3rd, 2015
Exhibition | Nourish
NAPA VALLEY MUSEUM
September 19, 2015 ■ November 29, 2015
nour·ish (transitive verb) 1. give food to somebody or something 2. support or foster something 3. help something develop
Napa Valley Museum, in collaboration with guest curator and artist, Nancy Willis, is thrilled to present NOURISH, a multi-faceted exhibition that examines the intersection of dining, hospitality and art from Napa Valley to the global community. This will be a unique chance to think about the way we relate to food and dining through the lens of art history and visual culture. An opening reception for NOURISH will take place on Friday, September 18, 2015 from 6-7pm, with general admission tickets for $5. Museum Members Only preview from 5-6pm.
NOURISH is an ambitious exhibition that spans centuries of thinkers and makers who address food, dining and service in their creative output. Work from over 25 artists will be on display including Kathy Aoki, Gale Antokal, Nikki Ballere Callnan (NBC Pottery), Sue Bradford, Will Callnan III (NBC Pottery), Heather Capen, Zoe Crosher, Richard Diebenkorn, Kim Dingle, Caitlin Williams Freeman, Liz Hickok, Paul Kirchner, Catherine Maize, Robb McDonough, Debbie Miller, Deborah Oropallo, NBC Pottery, Lucy Puls, Gideon Rubin, Meg Smith, Mark Stock, Wayne Thiebaud, Chris Thorson, Michael Tompkins, Nancy Willis and Bijan Yashar, Katherine Zetna among others. In addition to traditional visual artworks, NOURISH will present monotypes created by Napa Valley chefs, and drawings by Alinea's renowned chef Grant Achatz.
Artist and curator Nancy Willis, has spent twenty-five years in the Napa making art as well as working in the hospitality industry. Her immersion in both of these worlds is the genesis for the show's concept and informs the curatorial perspective. Willis discusses her vision for NOURISH: As an artist living in the Napa Valley I have had a dual professional life; in addition to a committed studio practice, I have worked nearly every position in restaurants, as a prep chef for an iconic catering company to my current position as a design instructor at the Culinary Institute of America. These experiences have afforded me a unique perspective that has illuminated the perpetuating influence between the two industries and on my own work. With NOURISH, I want to offer a new perspective about where I live and celebrate the beauty, strength and relativity of the arts as a vital source of daily nourishment.
"Memory goes as far as this morning"
30.05.2015 – 22.08. 2015
Herzliya Museum for contemporary art, 4 Ha'banim St., Herzliya 4637904
ALON SEGEV Gallery
Gideon Rubin | Blue House
Alon Segev Gallery is honored to open Gideon Rubin's solo exhibition | Blue House | Thursday, April 30, 2015.
The exhibition will showcase Rubin's oil paintings based on his magazine works done during Rubin's recent residency in Shenzhen, Chine. The Chinese picture magazines were published until the beginning of the Cultural Revolution (1966) when they were regarded as not 'Communist' enough. Rubin's magazine works will be exhibited at his solo show in The Herzliya Museum of Contemporary Art in May- August, 2015. "Blue House" is a book title by Bei Dao, an anthology of short stories that chronicle the everyday life of a Chinese poet in exile.
Opening: Thursday, 30.04.2015, 20:00-22:00 Closing: Friday, 10.06.2015, 13:00
Red Stripes, 2014, oil on canvas, 51x40.5 cm Gideon Rubin,
For more information: firstname.lastname@example.org
6 Rothschild Blvd.
P.o Box 29253
Tel Aviv 6129201
22.01.2015 - 26.03.2015
Gideon Rubin's fourth exhibition at the gallery includes works on canvas alongside recent developments which continue his investigation into the photographic image by sourcing popular news and entertainment magazines which he then paints over. Throughout his practice Rubin is interested in the relationship between painting, photography and reproduction and the mediation of images through duplication. In the new work he also claims that photographs, like painting, are subject to manipulation.
The enhanced or obscured magazines, from which the paintings also derive, have been sourced during recent residencies in Israel and China. The publication of the artists first monograph in March this year, includes essays by Sarah Suzuki, Associate Curator, MOMA, writer, critic & curator Gabriel Coxhead and writer Martin Herbert. It coincides with his first solo museum show at the Herzliya Museum for Contemporary Art, Israel.
Private view Thursday 22 January 2015, 18.30-20.30