Cardboard Citizens | Art on the Mind Auction | 19 June 2019
Art on the Mind brings together a group of artists for an exhibition and auction in aid of Cardboard Citizens, a charity that specialises in using the arts to help people affected by homelessness. Contributing artists include Jeremy Deller, Ian Davenport, Antony Gormley, Anish Kapoor, Harland Miller and Gideon Rubin. The auction is held by Paddle8, ending on 19 June 2019.
Eros | Fox/Jensen, Sydney | 25 May - 25 June 2019
This small exhibition is a curious collection of evidence that we are, and always have been, surrounded by beautiful, dark, joyous, covert and occasionally unmasked eroticism - and that this everyday eroticism gives poignancy to our existence and bliss to our temporary animation.
What is clear from this slice of Eros is the range and distinctiveness of how we approach the erotic. From Gideon Rubin’s undemonstrative and highly sensitive paintings that are tuned to a more “domestic” eroticism; to Hayv Kahraman’s loaded compositions that conflate cultural and art historical references with a deeply personal self-examination; to Aiko Robinson’s contemporary resuscitation of Japanese “shunga” pornography. For all of these artists there is lengthy precedent for the conceptual basis for their work but they bring idiosyncrasy and freshness to the aesthetics of Eros.
Participating artists include Hayv Kahraman, Gideon Rubin, Eric Fischl, Tomislav Nikolic, Tracey Snelling, Jane Bustin, Frank Kenis, Aiko Robinson, Hoda Asfhar and Man Ray.
Fox/Jensen Gallery Hampden Street, Paddington, Sydney NSW 2021, Australia.
Gideon Rubin - Artist in Residence | Palazzo Monti Residency Program, Italy | 7 - 28 May 2019
Gideon Rubin will be the Artist in Residence at Palazzo Monti, an artist residency program based in Brescia, housed in a palazzo that dates back to 1200. Built in the XIII century, the residency is conveniently located at a short distance from the culturally rich cities of Milan, Venice and Florence. Decorated with Neoclassicist frescos from the late 1750s, the Palazzo provides an inspiring setting to create contemporary art.
Feature: NEW MAGAZINE | Gideon Rubin
Warning Shadows | Galerie Karsten Greve, Cologne | 11 April - 18 May 2019
Inspired by films and old photographs from family albums, pictures of celebrities and old-master portraits, illustrated magazines, not least impressions of everyday life, Gideon Rubin paints figures which he characteristically reduces. The artist is not interested in the individual. His human images therefore usually have a beige empty spot, a black spot, a gas mask or some other masking in the place where the face ought to be. Through posture and gesture, hairstyle and clothing or a characteristic attribute he depicts a type, a character or a historical personality.
The places where each person is located are hard to identify in the sparingly sketched surroundings. Gideon Rubin’s work is about memories that have faded over time. The artist uses subdued colours - mostly sandy tones, greyish blues, and eggshell white, which he applies with a painterly style, with sometimes a striking bright red to accentuate a detail. This subtle coloration and the fact that he often reworks his pictures with additional layers hint at his desire to bring something forgotten back to life. As a picture support he uses canvas and natural linen, cardboard or wood, leaving some parts unpainted, so that the ground becomes part of the composition. As a result of the blurring of identifying details and the erasure of physiognomic features, beholders associate the subjects with their own memories and perceptions, especially since restrained gestures, postures, and positions of the characters aim at a déjà-vu effect, encourage those who see them to complete the picture in their own way.
Warning Shadows, Galerie Karsten Greve, Drususgasse 1-5,50667 Cologne
Feature: UNCONDITIONAL | ISSUE 8 - The Body Issue
Embodied Landscape | Galerie Karsten Greve, Paris | 26 January - 27 February 2019
Group show featuring the work of Gideon Rubin, Georgia Russell, Sergio Vega, Lawrence Carroll, Ma Jun and Thomas Brummett.
Au Fil de l'Amour | Maison des Arts et Loisirs de Laon | 25 January - 25 May 2019
A group exhibition organised by l'association Françoise, with works by Nan Goldin, Sebastiao Salgado, Gideon Rubin, Stephane Sautour, Malick Sidibé and Alfred Wertheimer.
Maison des Arts et Loisirs de Laon, Espace Bernard Noel, Place Aubry, 02000 Laon, France
The Conversation | Minnesota Street Project, San Francisco | 5 - 26 January 2019
The Conversation is a group presentation from our roster of artists including Martin Basher, Ethan Cook, Chris Coy, Amie Dicke, Alec Egan, Jibade-Khalil Huffman, An Te Liu, Jason Bailer Losh, Jordan Nassar, Neil Raitt, Jay Stuckey, Samantha Thomas, alongside Sara Berman, Michael John Kelly, Gideon Rubin, Robert Russell, Caroline Walker, Sara Ann Weber, and Janet Werner.
The Conversation, January 5 – 26 2019, Anat Ebgi, Gallery 200
Minnesota Street Project, 1275 Minnesota Street
Autumn Show | Galerie Karsten Greve, St. Moritz, Switzerland | 16 October - 20 December 2018
HOW TO TRAVEL IN TIME | APEXART NEW YORK | 8 NOVEMBER - 22 DECEMBER 2018
FEATURE | PLAYBOY | ARTIST GIDEON RUBIN: INSPIRATIONS FROM VULNERABILITY, INTIMACY AND ATROCITY
FEATURE | ART OF SUMMER | GIDEON RUBIN
FEATURE | TENOU'A | BLACK BOOK DE GIDEON RUBIN
FEATURE | PUBLIC ART | KOREA
FRAGMENTS | GALLERY EM SEOUL | 1 SEPTEMBER - 20 OCTOBER 2018
ON THE FAR SIDE OF THE MIRROR | GALERIE KARSTEN GREVE ST. MORIZ | 3 AUGUST - 15 SEPTEMBER 2018
FEATURE | TANK MAGAZINE | COVER - UP
COMRADE | Anat Ebgi Gallery | May 12 - June 23 2018 | Opening Reception May 12 6-8pm
Anat Ebgi is pleased to announce Comrade, an exhibition by London-based, Israeli artist Gideon Rubin. Continuing his fascination with memory and history, Rubin uses found images as the armature for abstract portraits of the past. The exhibition is the culmination of a month-long residency at The La Brea Residency.
Often directly painting over source materials if not explicitly referencing them, cultural memory is revised and questioned through the historicized image. His broad, wet brush-strokes challenge the younger medium, photography, as much as it makes use of its conventions - specifically the idea that a picture tells a thousand words, or that either can purport to be “truthful.”
A degree of anonymity shrouds much of Rubin’s human figures - faceless, they become surfaces for projection, no one and everyone, all at once. This obfuscation through overpainting and blending - in particular a composition of suited men who upon closer examination are the Hollywood Ten - allow the viewer to consider different versions to the familiar tales of history and popular culture. Whether painted on canvas, wood, cardboard or even the original photograph itself, Rubin’s varied sources directly inform the visage of the work, playing with the connotations of a glamour which has become disposable. A tousled lock of hair, clenched fists or the way a garment wrinkles falls on the body, these are the human impressions Rubin imprints upon the viewer. Without falling into the trappings of nostalgia, Rubin tackles this collection of headshots, print ads and family photos in such a way that blends time and spectatorship into ambiguous flux. Suddenly, everything is less specific, intangible, a barely-decipherable glimmer.
Image: Gideon Rubin, Untitled (LR), 2018. Oil on linen, 34 x 24 inches
FEATURE | SF Weekly | Pop Kulturkampf, at Hosfelt Gallery
FEATURE | The London Magazine | Black Book by Gideon Rubin at The Freud Museum
FEATURE | Elephant | Gideon Rubin on Painting Over the Past
FEATURE | artnet news | Artist Gideon Rubin Redacted Nazi Texts, Then Installed Them in Sigmund Freud’s Home
The Kaiser's Daughter | Hosfelt Gallery | March 17th - April 28th 2018 | Opening reception March 17th 4-6pm
Most of the paintings in Gideon Rubin’s sixth solo exhibition with Hosfelt Gallery were selected from work made for an exhibition at the Freud Museum in London. As source material, Rubin — an Israeli living in London whose work always refers to found images — mined photographs illustrating a serialized English-language edition of Mein Kampf that was published in 1939, the same year that Rubin’s grandparents, like Sigmund Freud, fled Europe to escape Nazi persecution.
Rubin’s characteristic manner of painting – with his subjects reduced to a few adept brushstrokes in a minimal color palette — renders his imagery simultaneously straightforward and ambiguous. They read like a flash of memory at the point of fading completely, a dream, or a history known only through re-telling.
Other paintings in this exhibition refer to Andrei Tarkovsky’s 1975 experimental film, The Mirror, a non-linear, autobiographical masterpiece known for the poetry of its cinematography. Central to the work of the three — Freud, Tarkovsky and Rubin — is the slipperiness of human memory and the importance of seeking clues in the past to decipher and resolve the issues of the present.
Group show | All In the Family | Senate Gallery | Ben-Gurion University | March 21st - June 3rd 2018
Gideon Rubin | Billboard Commission | Kingsgate workshops / Kingsgate Project Space | Feb 7th - April 14th 2018
FEATURE | Trebuchet Magazine | 'Black Book' Gideon Rubin at Freud Museum
FEATURE | TimeOut London | Gideon Rubin: Black Book
BLACK BOOK | Sacha Craddock in Conversation with Artist Gideon Rubin | Freud Museum London | 20.02.2018 | 7pm
Art critic and writer Sacha Craddock will be in conversation with artist Gideon Rubin about his Freud Museum project BLACK BOOK and discussing the way propaganda is used to generate racial conflict, which in turn affects the plight of asylum seekers and refugees.
The conversation will be moderated by curator James Putnam.
The artist’s specially created project for Freud’s final home relates to the era of the late 1930s, when Freud left Vienna for London. A series of paintings on canvas, linen and paper take inspiration drawn from original pre-WW2 German magazines that Rubin has collected. The idealised images of heath and efficiency in the magazines were designed to promote the myth of Aryan supremacy in Nazi propaganda. Rubin has subverted these images in his characteristic style by masking out the faces, Nazi references and swastika motifs. The process relates to our human tendency to block out unpleasant memories from our psyche.
BLACK BOOK is the latest exhibition in a critically acclaimed series curated by James Putnam on display at the Museum from 7 February - 15 April 2018.
Full Price £10
Friends of the Museum £7
Students / concessions £7
Advanced booking highly recommended.
BLACK BOOK | Freud Museum London | 07.02.2018 - 15.04.2018
The Freud Museum is pleased to present BLACK BOOK, an exhibition of new work by Gideon Rubin and the latest in a critically acclaimed series curated by James Putnam. Rubin’s specially created project for Freud’s final residence relates to the era of the late 1930s, when Freud left Vienna for London. It comprises a series of paintings on canvas, linen and paper with subject matter drawn from original pre-WW2 German magazines that Rubin has collected specifically for the project. These magazines contain idealised images of heath and efficiency to promote the myth of Aryan supremacy as Nazi propaganda. Rubin has subverted these images in his characteristic style by masking out the faces, Nazi references and swastika motifs. This process relates to our human tendency to block out unpleasant memories from our psyche.
Working on them has been his way to engage with the past on a personal level. He identifies Freud's narrow escape from Vienna in 1938 with his own maternal grandparents’ escape from Nazi persecution, fleeing Romania at the last moment in 1939. Rubin situates this imagery within the context of Freud’s home. But these seemingly ‘innocent’ images belie their sinister undertones that allude to the Nazis subsequent mission to exterminate the Jews with Hitler’s ‘Final Solution’.
Mein Kampf was translated into English and published in London in 1939. Rubin has also acquired an original edition of Hitler’s infamous autobiography and has systematically blacked out every page to create a series of abstract monochrome compositions. His systematic blacking out of Mein Kampf and the Nazi propaganda images represents a symbolic neutralising and negating of their sinister associations reflected in the exhibition’s title: BLACK BOOK.
Whilst BLACK BOOK strikingly conveys the racial hatred and diaspora of the past, the themes explored are just as relevant to today – from the manipulation and subversion of the media, to racial conflict and war. We are living through a period of intolerance and conflict greater than any period since WW2 with an unprecedented 66.5 million people forcibly displaced worldwide.
The exhibition marks the beginning of the year in which the Freud Museum will commemorate the 80th anniversary of the Freud family arriving in London. Sigmund Freud’s escape from Vienna was an international news story in June 1938, and in 2018 the museum will use its archives and collections to explore Freud’s status as a refugee in England, while so many others are being made refugees 80 years later.
If This Not Be I | Alon Segev Gallery | 16.12.2017 - 26.01.2018
Gideon Rubin, 'Untitled (In the Field)', Oil on Canvas, 2017
Water, Heart, Face | Jerusalem Biennale | 01.10 - 16.11.2017
Gideon Rubin, 'Untitled', Gouache on paper, 2014
Group Show | Summer Show | Galerie Karsten Greve St. Moritz | 30.06 - 19.08.2017
Gideon Rubin, 'Untitled', Gouache on cardboard, 2017
Group Exhibition | Kunstlerraume II | Galerie Karsten Greve | 30.06 - 02.09.2017
Feature | Anahita's eye
Group Exhibition | Mirror Mirror | Hosfelt Gallery 08.07 - 12.08.2017
Gideon Rubin, 'Girl in the Water', Oil on canvas, 122x102cm, 2011
Exhibition | Once Removed | Pharos Art Foundation 17.05 - 05.07.2017
Group Exhibition | THE READING ROOM | Rokeby 22.02 - 20.04.2017
Gideon Rubin, 'Untitled', Gouache on paper, 38x27.5cm, 2016
Featuring work by Sam Dargan, Lara Davies, Ej Major, Abigail Reynolds, Gideon Rubin
Group Exhibition | Alon Segev 28.12.2016 - 27.01.2017
Gideon Rubin, 'Green', Oil on Canvas, 35x30cm, 2015
Featuring work by Gideon Rubin, Tal Mazliach, Noa Yekutieli and Maya Zack.
Exhibition | Memory goes as far as this morning: A dialogue between Gideon Rubin and Shu Qun | Chengdu MoCA
Feature | Art.Zip
Read more: Memory Goes As Far As This Morning
Feature | Figaro Scope
Exhibition | Questions of Forgiveness
Image: White Glove, 2015, oil on linen, 56 x 51cm, Gideon Rubin
Galerie Karsten Greve Paris January 9- March 5, 2016
Exhibition | Words Without Letters
Group show at Alon Segev Gallery, Tel Aviv Curated by Guy Yanai September 3rd, 2015
"Memory goes as far as this morning"
Herzliya Museum of Contemporary Art, Israel 30.05.2015 – 22.08. 2015
ALON SEGEV Gallery
Gideon Rubin | Blue House
Alon Segev Gallery is honored to open Gideon Rubin's solo exhibition | Blue House | Thursday, April 30, 2015.The exhibition will showcase Rubin's oil paintings based on his magazine works done during Rubin's recent residency in Shenzhen, China.
22.01.2015 - 26.03.2015
Gideon Rubin's fourth exhibition at the gallery includes works on canvas alongside recent developments which continue his investigation into the photographic image by sourcing popular news and entertainment magazines which he then paints over. Throughout his practice Rubin is interested in the relationship between painting, photography and reproduction and the mediation of images through duplication. In the new work he also claims that photographs, like painting, are subject to manipulation.